G is for Gashapon - Bandai Namco - Ultraman Cityscape

It is the bane of blind or random selection that you won't always get what you want, what you hoped for, or what you need to complete a run or set, and while this set has three nice figures, both Adrain and I ended-up with the same simplified, micro-building, hay-ho!

 

The machine!

 

The capsule, and prize, I couldn't work it out until I'd got it out of the packet and studied the sheet! It's a small (1:600th or even 1:1200th) type micro-bulding, to be made-up, with five others, into a cityscape, for the 'Giant' Ultramen to stand amongst as they battle Godzilla or Mothma, or something equally daft and rubber-suit sized!

 

Paperwork, I don't know if the three figures are different heros. different generatuons/movie-versions of the same guy or what? Having never really followed the franchise (I haven't seen any of the recent big-budget Hollywood takes either, and I'm not in a queue to!), it always struck me as a kid's daftness, and while you can have nostalgia for your own (I wish someone would find a stash of Hector's House recordings), I don't think you can retro-establish a love for something aimed at kids, as a cold, cynical, logical adult?

 

Powered by a sealed watch battery, the novelty has a limited life-span, in its illuminated form at least, but you can, hopefully, from the right-hand image, get an idea of how a bunch of them would look with one or two of the figures looming out from the midst of them!

G is for Gashapon - Bandai Namco - Ultraman Monsters

I forgot to shoot the figures with this post, and they are long buried in the storage unit, so this one's just a quickie now, to get us to the end of the sequence, and my favourite set! Not that these were in any way shabby, and I actually ended-up with two sculpts, the 1st and 3rd in the line-up below.

 

 

 The machine responsible for this truncated post!

 

 

 Pink balls . . . Ooo-eerr missus!

 

Paperwork, and that's a wrap! Well, more of a fold . . . bah-duum TISSH!

G is for Gashapon - Bandai Namco - Samurai Warriors

Some 'proper' toy soldiers types, here with medieval warriors, followers of the Bushido code, and one time powerhouse in Japan . . . God! I over-egged that pudding, didn't I? I like them, a nice 54mm, albeit with thick, plinth bases.

 

Paperwork! Note they are manufactured in the Philippines, China is slowly losing that crown, I've seen several toys made in Taiwan, Vietnam or Korea (South, of course) recently, as people try to divest themselves of exploitable links to the next Superpower, while still  looking to follow labour-costs below their own!

 

The simplest figure had a two-compartment bag, with the whole figure and a base (ABS), along with the long, thin paper.

 

While this chap gets five compartments!

 

As with the golds in the Shogun Palace line, these had polychrome or all-black versions, and I got one of the latter, but left it in the packaging for now, having the full colour one to show and look at.

 

The three of them, the guy in the middle will benefit from the old hot-water treatment at some point to get the separate rear of his pole-arm/weapon (a Kara/Jumonji Yari) to line up with the front, and a touch of WD40, or a pin drill may help the front locate in the hand a little better.

 

Left; Kanbee Kuroda      Middle; Yukimura Sanada      Right; Hideyoshi Toyotomi

 

Kanbee (also Kanbei, Kambē or Yoshitaka, December 22, 1546 - March 20, 1604), was a mighty Samurai of the late Sengoku and the early Edo period. Yukimura (also known as Nobushig Sanada, 1567 - June 3, 1615) was famous from the siege of Osaka, while Hideyoshi (27 March 1537 - 18 September 1598) was a famous Samurai from the same period, who came up from the peasant class to become one of the major Daimyo's and an Imperial regent, as the 'aristocracy' lost its tight-grip on things.

 

Western sites reverse the names, I've copied the paper for the middle line, as the Japanese fashion is to place the 'surname' or family name first - Walter Hugh, obviously I wasn't a Samurai, but once I was a warrior, and Donald J. Trump; you can go fuck yourself, you bone-spured, shirking, gobshite, wanker.

 

Close-ups; the decoration is exquisite, presumably some kind of tampo- or pad-printing, the detail is like ink-jet quality, or three-dot magazine colour of the 1970's. And I assume they are all based on surviving or replica sets of armour from Japanese museums - like the Artesania figures from Spain's Royal Armouries?

G is for Gashapon - Bandai Namco - Onepi No Mi

Here, we're looking at a Bandai set known as the 'Fifteenth Naval Battle' of the Onepi No Mi series, and you probably have to be a pretty dedicated follower, or Japanese, to understand that, but it's the one set you're most likely to encounter going forwards, in Western 'head' shops (which, these days, seem to be very expensive gift shops with no smoking or drugs paraphernalia at all!), or mixed lots/rummage trays at shows, as it has been prolific since it's teased-launch in 2021, this set being issued in January 2024, shortly before Adrian was popping them out of the bottom of . . .

 

. . . this machine!
 

Created by Bandai specifically for the Gashapon machines, and based on a Manga series, just called One Piece (following the adventures of Monkey D. Luffy and his crew, the Straw Hat Pirates, as they seek the legendary One Piece treasure), from 1997, the capsule toy title, like 'Gashapon' itself, is hard to directly translate, as it's part title, part verbal pun, and all pictogram in the original, but sort of breaks down as One Piece [of my Devil]-Fruit!

 

Which isn't enough is it, but Google Translate can't, Google AI is struggling as much as me, and the websites assume prior depth-of-knowledge. And it's in part due to the design of the capsules, which we'll get on to in a minute! 

 

Through the 40-plus issues (around four a year, plus specials - 200+ items, and still counting) a set of typical Japanese 'popular-culture' themes show themselves, being, part Steampunk, part pirate, part recent/current popular culture and part pre-pubescent schoolgirl fetishism, which touches most of the standard Manga/Anime bases, just missing giant robots and fast motorcycles!

 

The capsules look like any others on first sight, but the Japanese are the masters of exquisite design, folding furniture, sliding doors, miniaturisation and such like, and their skills have resulted in capsules which can be assembled to resemble a fruit (the devil fruit), or can be stacked as an ever-growing display case, or - it looks like - used as Christmas tree-baubles!

 

Which is how the Gashapon series ends up being called Onepi No Mi, "Onepi" for 'One Piece', "No"  is a possessive - 'Akuma' or 'Gomu Gomu no mi', the Devil's Fruit, or Fruit of the Devil (the capsule design), and is further tied-in to a battle-cry in the Manga strips!

 

Here, you work it out if you need to! It's killing my brain-cells, trying to get my head round it! I think maybe if you say it quickly; "Onepinomi", it makes sense, if you speak Japanese!?

 

I've ended-up with a definite pirate type, and an electric bagpipe player (?), who in the first instance I think is called Shiryu (and an enemy of the Monkey D.?), while the other should be Helmeppo, who I see being played by one of the less salubrious personae of Bill Nighy!

 

It's all very . . . Japanese! 

G is for Gashapon - Kaiyodo / Capsule Q - Shogun Palaces

So . . . to the first of the sets, and we're looking at one of the Kaiyodo sets, further brand-marked to a Capsule Q, who I suspect (from their ubiquity with the Kaiyodo gashapon - same word singular and plural, it's not an exact translation, but neither is it a true transliteration of what in spoken Japanese is more of an onomatopoeia, sounding like the handle being pulled and the pod dropping), are a facilitator of the gashapon lines or range/department, specifically, just as Kinder use other operators/subsidiaries.

 

The machine they came from!

 

'Blind bag' capsules, all the same green 'propylene or dense 'ethylene polymer.

 

Opening to reveal three parts, beautifully finished and fettled, in small sealed bags, some gashapon have bags within bags, and one might complain that a lot of 'single-use' plastic is involved with these, but firstly, none of them come with runners or partial connectors as Kinder's often used to, and some of the Turkish budget rivals still do, so we might assume that such material's being recycled in the factories, and recycling, generally, in Japan, is ten times more efficient than in the leafy environs of Hart District Council, or the teeming metropolis of Rushmore!

 

Each of five designs come in either a realistic, weathered effect, or gold, something we saw with the Fujimi and Imai kits from the 1960/70's, so I'm guessing there may be gold, or gold-plated models in one of the Japanese museums? Models are PVC, base and sign are probably polystyrene.

 

Paperwork! You can see that without the wherewithal to name them, mine are the middle one from the upper row, and fourth from the left in the lower row.

C is for Closer Inspection - "Staff Parade, You 'Orrible Man!"

Normally I do a pretty good job of demilitarising December or Christmas, as best I can, but this year I don't seem to have made much effort in that direction whatsoever, with the TAG, Tente and this afternoon's Highlander, among others, and here's another, but at least it's ceremonial!

 

I also usually try to answer comments with some alacrity, although the odd one escapes, but the 'Unknown' commenter from the 19th November might be feeling a little chagrined that I have not answered his comment, which was suggesting that the - probably - egg-timer guard from Chris's parcel, was Eyes Right, not the Deetail I'd suggested.

 

And the reason I didn't answer was because, while I thought I'd called correctly, equally, his comment seems so sure, I questioned the attribution, and wanted to check the piece, and make sure, rather than argue the toss! And it seems we both have a point, but he (the commenter)'s more right than me, however we are also both wrong!

 

I'd called Detail for three reasons, it looked vinyl, and when I squeezed the legs (off camera last time), it was confirmed to be soft, PVC vinyl; it was standing at ease/easy, which I didn't remember ever being an Eyes Right pose; and he has an SLR, which I didn't think the Eyes Right had, but actually they did, it was the Marines and Middlesex (and Glosters!) etc, who had the Lee Enfields, 'at the slope', the Guards did have SLR's 'shouldered'.

 

If you bent an Eyes Right figure's legs like that now, they would snap like carrots! And the hole for the mounting-spigot is moulded into the figure, not drilled. Also, the figure is very, very sticky!

 

Having dealt with the SLR I have to concede the arm spigots and the head, both bear more than a passing resemblance to the Eyes Right figures, which leave the pose, this is a Deetail pose, the Eyes Right were marching, at attention or at Royal Salute, weren't they? Note the sun-fading on the outward-facing jacket.

 

Welp, Vectis says "No"! There are two figures in this set at an easy 'At Ease', I think they are unique to the set, but stand to be corrected, however, it would seem the figure/pose is from the Eyes Right stable, but equally, it's a complete piracy, from Hong Kong, neither Deetail, nor Eyes Right.

 

A very good one I might add, and taking the best of Eyes Right (the sculpt) and Deetail (indestructible material), but, nevertheless, a copy, and from that mid-seventies period, when Hong Kong's PVC output tended to weep sticky-shit, after, often, quite a short time!

 

And this isn't really a Question Time post, we'll probably never know any more about such an ephemeral figure, possibly supplied in bulk to a chalkware manufacturer, who may have been over here?

 

I think the friction plug for the figure may have been duplicated to hold the egg-timer on to the side, and I guess, the hunt is on for a better one, which may have a label on the base, and give us more to go on?

 

So, that's my answer to your question, Unknown! And thanks again to Chris for the questionable imposter!

T is for Teixido Return!

Yes, a rather too-cheerful title given my views of bullfighting, but they have to be posted, and while I hate the 'sport' and the idea of it still being a thing in the 21st Century, I take heart in the fact that another Matador was gored to death the other day (at least he got to feel how the bulls felt), and two others have quit, publically, in the ring! One breaking down and sobbing, at the enormity of what he'd been doing, all his adult life, to innocent, proud, confused animals.

 

We'll start at the end . . . of the bull. It's all about the killing of bulls, and, the longer the fight, the weaker the bull gets, so the final flourish, and the applause of the bloodthirsty crowd is utterly pointless, as the bull's so weak by that point it's almost a mercy killing, for what the fighters have been doing for the previous . . . twenty minutes; hour; two hours? I don't care how long the fights take, they are barbarous.

 

These are the Teixido figures (I think? They may go with the Jecsan below?) we last saw on someone else's table with me pointing out I didn't have any, I now have a decent sample, and we're going to look at them now, along with a few others, that have come-in over the last couple of years!

 

Two more mounted figures which I think go with the Teixido set, but I'm not sure, some of them are more rubbery, others are 'ethylene, and while some have separate arms, others don't! And all the horses were polyethylene, but not all the riders went on all the horses!

 

Theses are all Teixido, and there was some judicial swapping of arms, between shots, to get everyone looking correct, and a few bodies didn't get photographed as their arms clearly weren't here! The last one is correct, I think, but the camera-angle makes him look like his plug-in arm is growing out of his back!

 

The guy on the right in the first shot, can be posed to be dragging his red-rag behind him, as we saw last time we looked at these. 

 

I think these are all Jecsan, although one has a more Reamsa style base, so I stand to be better informed on all these, but the whole 'bullfighting zone' sample is quite big now, and when it's all brought together we'll have a proper look at all of them, and compare with the various catalogue images in the archive, to get them all grouped correctly! In fact, I think the standing bull is the Teixido.

 

Jecsan horse, I think, not sure on the rider, who seems to be some kind of referee or officiator? He has a separate cloak, so may also be Teixido.

 

Comparison between a Comansi (?), unknown, unpainted one (which keeps turning up and may be a touristy thing?) and the Teixido horse, his padded-armour/blanketing is of finer etching/sculpting.

 

Jecsan with a Reamsa'ish base, a tourist keepsake, we saw another one (white, plug-on base), years ago, and one of the Teixido's. The tourist one is a polystyrene, hard-plastic solid, with metal pin inserted.

 

Further comparison, with the Torres wine premium on the left and one of the unknown small-scales from 2024's Plastic Warrior show plunder on the right, for some reason I swapped out the Teixido but not the Jecasn?

 

Hong Kong
Seen before, but cropped-tight and lacking the now-dead link to the auction!

 

I had the Jecsan stuff here, but the Comansi and Reamsa stuff is in storage, or on a dongle I can't be bothered to look for, right now! The reamsa'ish base one is it the ring, facing the other way, so he is Jecsan, but no sign of the towing vignette, the Referee, or a dead bull, so that probably is all Teixido after all!

 

While the two we saw yesterday aren't in these scans, so probably are Reamsa, as the Comansi's have bigger bases - it's not made any easier by them all four using the same gloss orange on the bases! I guess, after a thousand years, all that bull's blood has darkened the sand?

 

Please donate.

Imagine if these colourful, dynamic, civilian figures could still be collected, but as 'historical' subjects, rather than examples of man's ongoing cruelty, and inhumanity to everything around him?