About Me

My photo
No Fixed Abode, Home Counties, United Kingdom
I’m a 60-year-old Aspergic gardening CAD-Monkey. Sardonic, cynical and with the political leanings of a social reformer, I’m also a toy and model figure collector, particularly interested in the history of plastics and plastic toys. Other interests are history, current affairs, modern art, and architecture, gardening and natural history. I love plain chocolate, fireworks and trees, but I don’t hug them, I do hug kittens. I hate ignorance, when it can be avoided, so I hate the 'educational' establishment and pity the millions they’ve failed with teaching-to-test and rote 'learning' and I hate the short-sighted stupidity of the entire ruling/industrial elite, with their planet destroying fascism and added “buy-one-get-one-free”. Likewise, I also have no time for fools and little time for the false crap we're all supposed to pretend we haven't noticed, or the games we're supposed to play. I will 'bite the hand that feeds', to remind it why it feeds.
Showing posts with label Civilian. Show all posts
Showing posts with label Civilian. Show all posts

Tuesday, May 5, 2026

B is for Bagged, Boxed and Blister-Carded!

Now, there's a title I should have, could have, aught to've thought of years ago, having decided to stubbornly stick with the 'A is for . . . ' trope. Especially when I could have dropped it the first month, after we got to zed, or the next month after we'd gone back up to ay? But, whatever, we've had it now!
 
February's Sandown resulted in lots of nice things being added to the pile, and these are all those - we haven't seen yet - which came/come with their packaging, there not being enough stuff for thematic posts, I'm finding other ways to run-off shots from the main folder!
 
This was an amazing find, on the nostalgia front, not because you can't probably find them regularly on feebleBay, but because I hadn't thought to look, having forgotten this for several decades, but this was my Brother's piggy-bank, when we were kids. I had the hard polystyrene 'pillar-box', with three black bands, numbered as a combination lock (which I have seen, but not while I was buying), from Hong Kong, while my brother had this, also from Hong Kong, imported by CODEG Productions (Cowan de Groot)
 
It's not exactly the same, as his was yellow plastic under the flocking, which came off quite soon, ears first! So our Rupert was plain yellow for years, probably until we moved house in 1980, while this one is actually red polythene, so at least two production runs for this.
 
We loved Rupert, and had quite a few annuals from the Church fête, it was all a bit Edwardian, prep-school and jolly hockey-sticks, but kids don't mind, same with the Enid Blyton stuff, prejudices are passed-on by grown-ups, kids just like reading that other kids are having adventures in a pirate cave with a pet mouse in their pocket, or - in Rupert's case - chasing a Bramble Imp with an Elephant in a suit!
 
Purchased purely for the card sample, we looked at the figure set a while ago, as I have them all loose, but at that time I only knew about the five or ten set cards, now we have pairs, for really poor kids!
 
Close-ups; Slinger (below) and Stinger!
 
Box-ticking, I now have complete sets of Romans, Greeks and Egyptians, and most, if not all the Wild West, but I only had one nurse from this set, maybe another figure? Although, looking at the card-reverse, I still haven't found the firefighters!
 
Unusually (especially when you consider there are ten firefighter sculpts), there are only six poses in this set, with four duplicate pairs and two 'uniques' for the ten-count?
 
Contemporaneous with all those magnetic novelties, was this, Falbala the Fakir, from Fairylite, who could be cut in half, yet remain whole, I say 'could', because his - probably - phenolic-based polymer has warped, and he actually falls apart rather easily and stays together only with delicate intervention!
 
When new, you would prise his two body-halves apart, enough to get the sword in, then, upon slicing downward, would push a locking key out of the way. There are three of the slightly curved keys on a revolving wheel (think the Coat of Arms [legs] of the Isle of Man), so as the sword pushed one out of the way, another would come round and lock in behind it, so the Fakir stayed together as the sword went right through him!
  
From the 'Empire Made', I'm guessing this was a Swansea-operation corner of the 'Kins universe, if it was the US arm of Marx behind it, it would usually be 'Made in British . . . Hong Kong, Crown Colony' and/or etc. The seller had several, some with two Fairykins, some with common window-box accessories like the dog-house, but I thought the semi-flat guardsman was a bit different, and needed to be in the master collection!
  
More Humpties here;
 
100% sure this is Airfix, no pattern number, and no banner-logo, but in every other way mirroring other known examples of early Airifx novelties, plastic colours match the animal flat/building block/baby bricks, and the micro-aircraft I've also called as Airfix, while the card is very similar to the one the animal flats came on, and I bet those 'planes came from similar cards? I will add more imagery of it to the Airfix Blog, in a day or two.
 
Finally, a cereal premium Hulk, mint in 'food-hygienic' pack! Called 'Desktop Buddies' and issued in 2003 by various Nestle properties, including Golden Nuggets, it's actually a relief sculpt with a hollow back, but a packaging sample is always useful!

Saturday, April 25, 2026

O is for Old Crocks

It's funny isn't it, the human experience, I get the impression from pieces in the media, that today, young adults hanker nostalgically for the era of the Ford Escort, Capri and Cortina, an era which to me, is only the other day, but which historically was thirty or forty years ago, as far back, indeed, as the old Jalopies and Charabancs of the 1920's and '30's were from the 1950/60's? In other words there's a reason why 'Old Fashioned Cars' were everywhere (clothes, place mats and coasters, mugs, tiles, prints, books, even movies), when I was a little kid, but are, relatively, nowhere now.
 
It's a complicated thing about generational groups I'm not erudite enough to explain here, but is explained in David Sheppard's book on the rocker/biker-oriented youth club he ran as a young priest, in which a generational gap was explained to him, by someone from the Salvation Army - I think?* Being, that we move through existence in tranches, each tranche being a clump of one age-group with older hangers-back and younger hangers-on.
 
*A book I know I've read, but can find nothing about on Google!
 
Which is both a complicated and vaguely deep intro' to this morning's post, which grew out of some follow-up images from Brian Berke, and a few scans I already had on the PC, along with a couple of shots I took, and which we'll meander through now, as I'm just going to load them as they are in the folder, and weave some blurb round them!
 

The range of Charbens Old Crocks, at its fullest extent, from the 1960 catalogue, and including the mini-military ones we have seen some of here in the past as show-table shelfies, I think? Not particularly rare, but hard to find in good condition, due to both play wear and metal fatigue.
 
No. 2, the 1905 Spyker, which came in recently with a mixed lot, can't remember when/where, but it was here to be shot in 2019. This is about average for how you find them, paint is shot to bits, the metal body is starting to suffer from the alloy equivalent of lead disease, but the wheels are still OK, and nothing's broken-off yet!
 
Also from 2019, and I don't know why I photographed them separately, aught to have all been together at the time, I think they have since joined my older sample, which is very cracked, and with lots of broken wheels, but these obviously came in at some point, and seem to have been shot a couple of hours before the Spyker? I must have been sorting or something?

Brain Burke's Spyker is an almost minter! Passenegrs from Merten? Sent as part of a follow-up to a couple of posts back in the autumn of last year (https://smallscaleworld.blogspot.com/2025/12/f-is-for-follow-up-earlier-today.html), you can see how, fresh in the shop, these were attractive and colourful, as well as being affordable. Brian was 'crewing' his up for a project to model the early days of the Wisbech and Upwell Tramway, but the project fell by the wayside.
 
Given they never really had a scale, they go quite well with HO- or OO-gauge railways, but then, I well remember helping Simon College, of Mattingley move an Austin chassis (7 or 10?) around, and the footprint of these old cars was not much greater than a Willys Jeep's!
 

Four more of the Charbens originals, also from Brian and also cleaner than mine! They have had replacement steering wheels, which improves the look and lines no end, but rather crowds the cockpit!
 
These are 1960's (?) Japanese knock-offs (with their own people?), and are - frankly - more colourful, albeit a bit thin or narrow in the wheelbase? Brian states "It would seem they were popular with HO railroad modelers as I found them as ex-layout models at shows. Interestingly they don't seem to have the metal fatigue of Charbens."
 
Charbens on the right for comparison, also a cleaner version of the 1903 Standard than mine, I'm not sure which is better, the Japanese lack of steering wheels, or the Charbens originals, like small nails!




These are from an undated Charbens catalogue, but as a smaller range, presumably predating the 1960 catalogue seen above? And pre- 'Old Crocks'.
 

Further to those previous posts, Brian also sent a couple of shots of a mint Dublo Dinky original and Aussie copy of the same from Wizard;
 
"As you may remember I drove an old retired London Taxi, an Austin FX3 when an art student. When I started my train layout I wanted lots of taxi models for my 1950's London. A prewar Austin was made by DG and I added other cars from their range as until the '10 year MOT test' started the streets were full of prewar Austin 7's. Once they were tested for, steering, brakes and lights they vanished off the streets within a year.

Wizard models in Australia were made by someone who had been a British Railways signalman who emigrated. He made an Austin FX3 that used the body die that Hornby Dublo had sent to either Australia or NZ to make the Dublo Dinkys there. The body was one piece and he created a new cast base."
 
Brian's photo-shoot seems to have been triggered by his running of a childhood survivor, the three-rail Hornby Silver King, streamlined, it's been with him for over 70 years and is still running. I have a later two-rail Duchess of Sutherland in maroon as my treasured steam-era Loco.

Monday, April 20, 2026

O is for Oops!

One of those slightly admissive parables today, most of us have been there once or twice, making a mistake, whether because there's one born every minute, or because we were all born one, and of course, these things happen, in the pressed time of a toy fair, or under poor 'village hall' lighting, or, in the case of evilBay lots, because scale or background are unfamiliar, or colours skewed by lighting or flash, but, this was one of my recent boo-boos, which, as it was not inexpensive, I was lucky to escape a few hours later, with nowt but my pride dented!
 

I saw these Cherilea dancers in the poor light of a winter morning at the February Sandown Park pre-show car-booty rummage, on the terraces of the main stand, and thinking they were the plastic ones, asked the seller what he wanted for them, a price was floated, which I'm not disclosing, but suffice to say it was in three figures, and I thought "Well, the whole point of coming to a show is to find a couple of stand-out or rare pieces, so; what the hell?", handed over the required shekels, and reached for them, only to realise, instantly, from the weight, that they were the lead ones!
 
But the seller was already busy with another punter, and the argument (about shows and rarities) remained valid, so I thought "What the hell?" (again!) and slid them in my jacket pocket. Adrian thought I'd done OK when I showed them to him, and he knows more about the lead stuff, than I do, but he thought it was 'all the money', so a profit was never going to be in there!
 
Interestingly, though, they are not the same sculpts as the Harbuts set, we saw a while ago (https://smallscaleworld.blogspot.com/2023/06/b-is-for-best-show-on-earth-11.html), and which I had mentioned at the time, but nice to have them in front of me, if you know what I mean!
 

Fortunately, a well known metal dealer, who can remain nameless, came round while I was holding the fort for Ade' and chatting with one of the Paul's, and in conversation, because we're happy to admit our errors among friends, I explained the over-exuberant nature of my commercial faux-pas, and he offered to give me what I'd paid for them!
 
So in the end, I got four nice images of some pretty rare figures, in even rarer packaging, and it didn't cost me anything, beyond that bit of dented pride . . . Phew! . . . Doh!

Sunday, April 5, 2026

J is for Jährliche Osterhasenparade

Did you anticipate this post? I'd totally forgotten . . . again! But Brian Berke has done one of his regular photo-essays for us, by heading down to Scully & Scully, at 54 Park Avenue, an address, to Americophiles, as prestigious or exciting, as something on the Avenue des Champs-Élysées would be to a Francophile, or Park Lane to an Anglophile! And why has it taken me nearly a decade to look that up?
 
Brian had real problems with reflection this time, hence two visits were called for, and he even tried different cameras, and while I've done what I can with cropping and contrast, you can see a camera in three or four of them, and I cropped the mice out of a larger image, so that one is a bit fuzzy, because they were background!
 
As always, the sculpts, and their painting are exquisite, and while we've seen some of them before, it's all new painting, and/or some new vignettes, along with new trees, I think. I didn't reject any of the images, so there's a bit of duplication.
 
Nothing else to add, as they are a perennial here, now, so please enjoy a bit of Easter magic from the Big Apple.
 
























Many thanks to Brian for these, they are a real treat!