Miniature Hugh-Mans! Only an overview, visually, because all my existing collection, including the stuff that was here (or round the corner now!) in the attic, was combined and sent to storage a year or so ago! Also it was damaged in the 2007 summer-floods, so is a bit depressing, although it's mostly survived, it lost it's pristineness!
But both Adrian Little And Jon Attwood have between them found all the following, so we can have a half-decent look at their output, and the sort of revelation following, so many thanks to both of them.
The box isn't quite as bad as it looks here, enhancing the contrast so you could more-easily read the information on the labels has resulted in something which looks like a bloodstained artefact recovered from a murder victim in Midsomer or some New England coastal community!
Five shillings was a lot of money back in the day, and while these are believed to have been on sale from the war or soon after the end of it, they wouldn't have been that affordable, to the average buyer, even in the 1960's or 70's, more of a luxury, or something architects could put on the bill?
They are however (left and upper shots) exquisitely painted, compared to their J&L Randall Merit counterparts or Wardie Mastermodel clones. And I've just chosen my words very carefully, following what's come to light just in the last few weeks as a result of the Minikin find AND re-reading the Brookes book on Kemlows.
Before I continue - the lady in a pink top and grey skirt (top right) fixing her hair in a compact-mirror is an interloper, I'm not sure whose figure she is, perhaps Merten? I suspect the figures in the lower image are early Merit, they are quite well painted, but heavier sculpts, and brighter colours on pink plastic.
But, it seems the original story, which I got from the Brookes' at the lovely exhibition open-days held in Alresford, Hampshire by Bob Leggett, which was that Merit had got the tooling when BJ Ward went bust, and that the workers being laid-off without pay had carried them 'over the road' to Randall's, was in fact, a tad fanciful.
Having said that, I cast no aspersions, the story told, was made clear to be hearsay, and was some ten-years before the book was ready, so before the Brookes were even talking to Stephen Lowe (of the Kemlows family), but reading how Collis Plastics first played a roll in, and were later bought by Kemlows (the firm behind the production of Mastermodels), has made it all clear.
Not clear here - should have used a ruler like some over-efficient evilBayer - but these are the smaller TT-gauge, in the master collection I know I also have the larger O-gauge, both unpainted and painted, home and factory.
The clarity came in realising that there is NO crossover in poses, to/from Slaters and Minikins, and that therefore BJ Ward (who carried most of the poses of both!), knowingly, or unknowingly (through his tool/pattern maker Collis) copied, cloned or pirated BOTH firms, to produce the figures, for his otherwise pretty unique range of die-cast, tin, whitemetal, wire and wooden railway accessories. Because both firms were active, earlier than Ward's enterprise!
And that's enough for now, as we are going to be looking briefly at both Mastermodels and Merit in the next few days/week or so, and can polish-off the rest then, as it's all in the Kemlows book, sort of. Suffice to say, we have to believe, that for whatever reason, Slater's (a Northern-based firm) must have got their tooling from the early Collis Plastics just North of London?
A flat wagon courtesy of Jon, I may have one or two of these horse-drawn vehicles in the master collection, if so, and because they will be in flood damaged packaging, I will build them as a future project one day!
From the Carriage Foundation;
"Dog carts were so named because they were originally used for carrying sporting dogs in the boot, some would have louvred sides which provided ventilation. First built at the beginning of the 19th century as two-wheeled vehicles, they were later built with four wheels. They carried four passengers sitting in pairs, back to back, and were so useful for all country pursuits that they were found in every country house and used well into the motor age, many of the later examples never being used for the purpose for which they were originally designed."
Incomplete shots of the rest of the range, Rail staff top left, mostly public figures top right and the passengers below. The woman with a pleated skirt does not seem to be from the Wardie Mastermodels range, and may be from a die-cast vehicle set of similar age, or a railway accessory from across the pond (making her a railroad accessory!). The newspaper seller would reappear in the Merit board game ‘Remote Control Driving Test’ along with the Policeman, lollypop-lady, 2 Belishia-beacons and a ‘phone-box from Mastermodels moulds – Merit would later redesign the ‘phone-box as a very delicate structure that took a caller figure, Model Scene issued it as a kit, still on the sprue.
