S is for Shelfload of Shelfies!

I shot these a few years ago, not long after the multi-part overview of Fontanini and musings on Fonplast, back in 2017, but they were put on hold, because as I said at the time, I knew someone else was working on the military range. That author was Peter Evans, and those articles with the sets/generations and original Military Modelling adverts were published in Plastic Warrior magazine (which you can subscribe to, details below) over a number of issues, back then, but these then got forgotten down in Picasa's 1950's!

I thought fifteen-quid each was a bit steep, especially for a charity shop, the mounted maybe, on a good day, but all of them? I like to pick these up for between two-fifty and seven-fifty at most, but they all sold, within a week or so, and that's good for the charity.

 

At the end of the day, Fleet may have a bit of poverty, round the back of the football club, or hidden at the margins of the Ancell's or Elvetham developments, in the single-mother blocks or starter maisonettes, but overall it's an upper-middle-class dormitory town for London commuters, and there are many smart homes with trophy-wife curated decors, and I'm sure they found a good display or two, for their hundred-odd quid!

PW is contactable here:

Facebook - https://www.facebook.com/PlasticWarrior?fref=ts 

Blog. - http://plasticwarrioreditor.blogspot.com/ 

eMail - pw.editor3@gmail.com

Tel. - 01483 830 743

And it's only five months 'till the next PW show!

S is for Seen Elswhere - Fontanini

Just a couple of finds from Fontanini which have come in over the last year or so, 2 of the 80mm polyethylene Napoleonics (90-odd with the bases), with their flat-matt paint-jobs, and a larger 150mm (who's 185mm all-in with base and Carrara-marble plinth), who has that distinctive antiqued wash, over his PVC, for most of the colours, I think they wash all the colours, then overwash with a watered-down/thinned sepia-brown or dark varnish?

Both the smaller ones still have the spigots for those mahogany-brown plastic bases, so I had to shove them deep into the bedspread! And like an idiot, I didn't think to take two bases of those Knights before I offered them as swaps . . . Doh!
 

B is for Biggies - Art's Five Inch Figures

So, the reason I asked you to note the mostly undecorated Joseph with his touches of gold (and the brown 'wash' cloak), in the earlier post, was because he was channeling this whole set, which at 150mm is the biggest of the Art Plastics sets I've found so far. This one an import (into the United States) by Similegno;

Similegno seem to be a smaller version of somebody like Shackman, with other nativitie sets and household goods or novelties under their brand. A 12 piece set, which - as I've said - seems to be the average, you can go as low as 8, or upwards beyound 15, the Santons and Fontanini 'ranges' being almost limitless in the former case and well over 40-items in the latter's 35/40mm and 54/60mm lines.

Mentioning Fontanini, we have another of their shepherd sculpts in this set, albeit finessed I think, either by Art, or someone in-between? Also, note that at this size we get a separate Jesus, still in a rather truncated 'Moses basket', but the two items counting as one-piece for the total.

Produced in a faux ivory or 'Ivorene' plastic with simple gold highlights, mostly to clothing hems and the Wise Men's presents, the only colour is a semi-transparent/smokey-opaque red 'brick' of plastic making-up Joseph's (very anachronistic - medieval or post medieval) storm-lantern, which is a tied-in separate piece.

And these too have the paper/card seal over the hollowed-out bases, here; the DOnkey's, with close-ups of the shepherd and little baby Jesus . . . it's his official Birthday in a week!

If you remember last year's post, there are many copies of Art Plastics (themselves pirates) in the smaller sizes, and I'm sure over time copies of the larger (60/70mm) ones will turn-up too, but whether at this more extreme size I'm not so sure?

H is for He's a Big Boy Isn't He?

There was going to be a Technolog post here but with 160-odd out of 190-odd countries holding the parent country to cultural, military, political and financial sanctions or embargo, I feel it is my duty - as a believer in the basic tenets (at least) of liberal democracy - to do likewise, so, as this only came in yesterday, it can go here . . . in fact I must go and leave feedback!

Marx six-inch Roman, the paint is well done, but the all over blue (azure I think?) is a little disappointing if you ask me, and you sort of did by coming here! Hard polystyrene lump, here compared with the Poplar Roman who at 75mm is three inches himself, so not the best comparison, but the 60mm Marx and 30mm Miniature Masterpieces (next 'Ancients' post) were away to storage some time ago!

It's worth noting that his shield-arm has been rearranged (or was rearranged on the smaller ones) from the straighter posing of the other sizes, I suspect that was a mould-release issue, in the smaller sizes the figure might pop-out without trouble, in this scale you may have had catching, with all the verticals, angle it slightly and it may release more easily? 

I thought the face was particularly well done, I know it's easier at a larger scale, but it's still a skill to be impressed by! Although - a face only his mother (or a succession of possibly desperate eastern European 'models') could love; he looks a bit like Trump straight out of the orange spray-booth! This set was known as the Goldmarx series.

T is for Two - Contributions

We've had some pretty eclectic stuff here at Small Scale World in the last week or so haven't we! I'm sort of clearing the decks for other things which doesn't mean the other things won't get thrown on the back burner at some future point, but I mean well as I'm going-about it! Here's a couple of things of interest sent in by loyal readers in the last few months;

Theo van de Weerden picked this 150mm figurine up cheap-as-chips (I believe) in a mixed lot at a sort of car-boot sale a while back, and isn't she a cutie . . . no, no, she really is  . . . a 'Campus Cutie' from Marx and one of the ones I would imagine it's harder to find in perfect condition as that oar she's holding must be a candidate for damage? Nice find Theo, thanks for sharing!

While Brian Berke sent this as a follow-up to his own donation of HO/1:87-90th scale Pyro figures, and which I then forgot when I did publish a follow-up the other day . . . also from Brian (who didn't remind me these were in the queue, so it's easy to lose track of this stuff!),  it's a model Tug outfitted with the very figures we looked at the last two times! Thanks Brain and sorry I lost track of them!

T is for Tsarist Troop of Terracotta Tree Trinkets

I love these, they may be [quite?] modern, but they are so charming, and this is proper collecting of proper toy soldiers, sadly outside my budget, but I shot them before they had all gone, thanks to Adrian Little for that opportunity and let's look at them;

I don't know where Adrian got them from (and wouldn't ask, trade secrets are trade secrets!), but he did say one had broken which was unfortunate for him, but it means we know they are made of a very thin slip-cast terracotta, but fired beyond the 'composition' of the Spanish figures we looked at the other day, to a fine ceramic which rings just like glass decorations. They may be double-fired as the painted decoration - while fine - seems to be a glaze, but they are then dipped in a thick varnish so may only have been painted and covered?

The Cossack is supposed to hold something, a (wooden?) sabre? The chap on the far right is a Lancer (?) the other three are regular Russian infantry of different ranks or employments, I think; from the left - Officer, Line Infantry, Grenadier?

They are finally mounted on a wooden plinth which gives them the appearance of Central European nut-crackers, but obviously stylistically different, being accurate renditions of the uniforms worn by the Russian army in the Wellingtonian period!

For readers not familiar with the Wellingtonian period (I don't use the term as often as I used to), it is that period in history at the beginning of the C18th, when Lord's Wellington and Nelson ran around Egypt, the Iberian Peninsula and Belgium, or the nearby oceans, giving Frenchie a few good spankings, which he'd asked for, so that was nice! Sadly (and not for the only time) the Russians had to handle the eastern-end of the enterprise by themselves, a job they managed ably, with the aid of General Winter - not for the only time!

I didn't have a tape measure at Sandown Park, but you can see the figures are 140mm with a 10-mil slice of finest larch or birch (?) at one end. They have a loop at the other end which must be for hanging, and I know some of the nicest glass tree decorations come from the former Soviet Union (along with some pretty kitsch awfulness, but the same is true of any large amount of random decorations anywhere [TKMaxx yesterday!]; taste is a strange mistress!), so I assume these are tree decorations. Given there were other regiments/uniforms available; they must look stunning in numbers!

T is for Two - Little & Large!

The last additions to ITLAPD, but not the final posts, I've mixed them all up so they differ from hour to hour! And it was going to be more of a 'Look at this!', then it was a genuine T is for Two, now it's more of a T is for err . . . four?

The crux of the post; a Hong Kong copy of the Fontanini large-size pirate we've previously seen before here on a lump of Carrara Marble, alongside a Papo 45mm (smallest size they do) pirate, who's toob we've seen in a past Show Report. The larger figure is 210mm in total, or 150mm sole of foot to eye-line.

That was going to be it!

But at the last minute I thought I'd better do a comparison with the Carrara-mounted original, and tucked last year's newie in between them, giving us a technical 'four'! They end up the same height despite having very different bases, by dint of the blow-moulded chunk of pirated pirate being reduced in size, he also has a filled-out hat for technical reasons related to that kind of moulding.

I had shot him separately before wondering what to do with the Papo figure! Peter Evans gave me the gold giant when I was on my 'country-mouse' trip to the big city the other week, and I think I picked-up the Papo figure when he took me to the Toy Project's shop in Archway?

Goes away and checks - no; he was in the dino-lot from charity with the robo-space-catpig-thing (and which I'd 'hidden for later'), same week - end of August! Anyway, thanks again to Peter for the big one!

F is for Fontanini - Part 5 - Chinoiserie; the Oriental or Asian Statuettes

Firstly a big thanks to Cristianu Hardy ('Ludoprimophile' on the Forums) without whom this post would be a very complicated text-heavy, hard to follow affair with few images! He kindly allowed me to use scans of his original web-posts from ten and more years ago, to illustrate the points/figures as we go.

They have been taken from word.doc documents - as the links from his homepage have become problematical over the years - so are low-resolution, and I've filled the gaps so they are a bit mixed-up. As you'll see lower down, these are a mess really (not on Cristianu's original pages - I hasten to add), as over the years people have added figures to the wrong sets, swapped bases to fill gaps in their collections and not properly annotated the changes, or the finds, so try to ignore the bases until you get to the bottom of the post, where hopefully it will all start to make sense!

Cristianu's website seems to be still viewable from the sub-sections; Elephas Maximus (Andrew) on STS recently found a working bookmark to the animal section, and the home page may still work on older machines, but newer ones won't allow the old Windows Frontpage coding to work; specifically the 'fphover' button hot-links on the homepage.

If you have working links/bookmarks to any of the other sections/sub-sections, let me know and I'll do a post with them on, which can be linked to the original link (top right) through tags. In the meantime the animals are here.

I'll kill the myths at the start

Chinese 'Dog of Fu' (pronounced foe)

or lion guard, carved in celadon jade

Myth 1 - They are 'Chinese' sculptures

The common mistake (going back to Fontanini's original issues) is of calling them Chinese (chinois), they are not necessarily Chinese in origin or particular influence, and definitely not in style and while some of the characters depicted are clearly of Chinese dress or origin, others aren't.

All original Chinese sculptural figurines whether plain or stained (pigmented) soapstone, the harder celadon-jades, 'Blanks' (or 'Blanc de Meudon' - white glazed porcelain), Famille Rose & Famille Verte (porcelain decorated in the Western style) or the carved bamboo (often lacquered in reddish-brown to give the appearance of an almost plastic finish), are in - or tend toward - an anatomically rounded or fuller (well-fed) style; as are most Japanese Satsuma figures, no . . . the output of Fontanini (and their copyists) we are looking at with the 'oriental' sculpts are actually aping Japanese Okimono ivories or bronzes. Chinese Tang-ware is older and more stylised sculpture - you may be familiar with the painted pottery horses, or think of the Terracotta Army.

But back to Okimono - they ape them well; both to the caricature aspect and taller slimmer styling and with the fact that they were originally produced by Fontanini in various shades of white and cream plastic, sometimes wash-stained to mimic aged ivory.

A set of six early Fontnini sculpts are to be found here.

Further complications come from the fact that some characters have several conflicting stories with origins in fact and/or fantasy. They can have up to four spellings of a Chinese name, another Indian (Sanskrit?) name and/or several alternate names - with subsequent spelling variations. Characters can move between myths, fairy-stories and history rather too fluidly and several religions (Buddhism, Dao/Taoism, Hinduism, Sikhism and Japanese Shinto) claim several of the characters - for different reasons.

(thanks to Peter Fox for letting me shoot these)

These are Chinese in influence (and origin?) and may even be Fontanini, but I am not aware of them being such, have no evidence of such, and firmly believe them to be Hong Kong tourist figures, which do ape the 'Blanc de Moudon' figurines from China - the reason for their inclusion here; you can see they are after a very different style, like Fontanini however, they are an 'ivorene' plastic, antiqued with a dark-grey wash, worked into the incised detailing.

However, as well as priestly personages or religious deities, Okimono are known for both their depictions of occupational/craftspeople and/or 'everyday' subject matter as well as for - specifically - figures with fish, and this set has five or six fish or fishing related poses, another sign of its Japanese or part-Japanese origins.

Within the figures below are Gods, priests, rural craftspeople, classic tourist tropes, a couple of possible known characters, some dancers and - hiding among them - Kinder's apparent made-up-names, several of whom have parallels in the stories of old! And one must also bear in mind that culturally speaking; China, Japan, pre-Mogul India and others in the region were closer once, than they maybe now.

One figurine looks more Siamese (modern day Thailand); the female dancer in a tall hat, another looks more Indo-Asian; the chap with his arms folder and having a large sword hung at his waist, while two do have very Chinese-looking top-knot hairpieces (striking octopus tentacles with a sword and playing flute), but such hair was worn by the Japanese too, while the chap with an alligator/crocodile (salt water?) is a known Japanese tourist thing. So the jury's still out on this one, but not Chinese overall, maybe 50/50?

It would be easier and more accurate if everyone could get in the habit of calling them the Fontanini 'Oriental' or Asian figurines!

My two (I have a bunch of similar figures in storage), both sourced in the UK and therefore possibly Lyons Tea? They are very rough, poorly finished versions of the Fontanini originals, with no sign of having had a plinth, while the integral bases are crude and misshapen.

Myth 2 - They represent the 'Immortals' or other specific groups

Several commentators have tried to tie the 8 Daoist (Taoist) 'Immortals' or even the 18 Lohan characters into these 'sets' [see Myth 3 below], but only three of them pass muster as such characters - and then only barely!

The guy holding a 'dragon' fish as tall as himself over his shoulder could (and only 'could') be either a 'Lung-man' (with a sturgeon) at the Dragons Gate from Chinese mythology or Pan-t'o-chia (Panthaka in Sanskrit?) the 10th Lohan who charmed a Dragon, while the man with a feathered fan could (again; 'could') be interpreted as Chung-li Ch'uan (Zhongli Quan)- one of the eight immortals, or Chu-ch'a Pan-t'o-chia (Chota Panthaka) the 16th Lohan. Of the women - the lady holding a bunch of flowers can be taken as Ho Hsien-ku (He Xian'gu) with her lotus, one of the Eight Immortals? Yet the flowers - as modelled - don't look like lotus blooms, let alone a single 'magic' lotus - so it's a stretch to take her thus.

Six of the characters have been given Chinese names on one or two websites, but these seem to be the names awarded them by Kinder in their set of diminutive, die-cast copies, which came late to the oeuvre and I can't find them in Derek Walters' Chinese Mythology, the book I've been working from.

Google revealed that two may be taken from The Water Margin, with one also having the further choice of being mythical or an Empress, while another could choose between a scholar or a Prince; the other three drew a blank, so I guess - as a group - they may be fictional 'Chinese' Ferrero-names, with some happening to be common enough names to attribute by random happenstance!

Likewise, the various premium issues in France gave their sets Chinese titles (Chinese Occupations, Chinese Saga's etc...), but with some Fontanini-sourced exceptions, these are or can be crude copies, possibly from Hong Kong (they mostly aren't marked) and pull various poses from the larger range of original sculpts with little or no sense of order. Mir (washing powder) went with "Chinese Statuettes".

Myth 3 - That these are all made by Fontanini*

While you can call it 'a' set (the whole line/range), they seem to have been designed/used for issuing in pairs, sixes, twelves or eighteens with more than 34 sculpts - that I know of - and not every figure was issued in every style or size, at least four (like the Napoleonics) being confined to the larger sizes, another two being re-cut at some point, while one has a mirror-geometry version.

With most of them more easily available to people lucky enough to still be in the EU, that's where the work still needs to be done, to find out which sets in which sizes were supplied by Fontanini, copied by someone else (who? With or without a license from Fontanini? Where?), or sourced from Hong Kong.

Although it's equally likely some may have been sourced closer to home - the number issued by French or French-based companies suggest France, but if they were unlicensed it's likely somewhere more lawless like Yugoslavia or even a factory beyond the 'Euro' law of the time; maybe Spain, might be in the frame?

*Not really a 'myth' as I don't think anyone's claimed them all 'made by' Fontanini, but the origin of manufacture is questionable for the bulk of them, also while they are all originally Fontanini sculpts, a few of them have been taken directly from the Japanese Okimono originals.

My recent purchase (95/110mm; higher number is guesswork due to absence of plinth), cleaned-up and perched temporarily on a knights plinth - he is clearly marked HONG KONG MADE IN on his kilt-hem - possibly a UK-issued Lyons Tea figure?

In both cases (the various premiums or the later Ferrero/Kinder issue), we are talking throwaway playthings aimed at younger children, and just as one talks of 'Chinoiserie' in English when talking about things which may be Japanese, Thai, Burmese, Vietnamese or Korean, so I suspect these figures ended-up 'Chinese' through a combination of laziness, ignorance and a lack of a need to care terribly how accurate the moniker was.

First appearing in the 1960's, from Fontanini they were quite striking figurines, especially in the larger sizes, with various shades of faux-ivory (white, cream and pinkish shades) polythene (PE) they were later made in the same dense vinyl (PVC) as the rest of the Fonplast work's output and found their way onto Carrara marble sample blocks/tiles for tourists to take home - all over the world.

Ageing/antiquing was applied with washes in black, brown, dark gray or an oxide red-brown, and these often prove to be water-soluble so on tatty examples can be removed easily to clean the figure up. This is true for all Fontanini, Premium and marked HONG KONG versions in the larger sizes, but not always for the smaller sizes.

Now, the various sets of premiums come in two sizes, but different finishes and on several different plinth types, and I can't be too specific with my three here and few in storage, all copies of Fontanini, but not Fontanini! While the Fontanini originals came in at least four or five sizes and with various - more ornate - plinths.

So we will just go through listing them in no particular order (I've blocked them together by subject matter where I can - men first; in an institutionally sexist fashion!), numbering is pointless as different collectors have used different orders/numbers for different sculpts over the years, names/titles are equally pointless for the reasons mentioned at the start - some of them have dozens of 'original' (Asian mythological-) names, others have never been given a name by Fontanini, Kinder or any of the premium issuers, and I don't know the Fontanini cavity numbers - in any size!

The known sculpts (Kinder titles in red) are:

Male Sculpts

Weapons

- Large curved sword across body [Yang Zhi]

- Arms folded, large sword and flame/lions-mane headdress

- Holding large sword over and behind head

- With large bullwhip

- Striking downward with sword (Sculpt only available in larger sizes?)

- Carrying or wrestling an alligator or crocodile, sword hung at waist (Sculpt only available in larger sizes?)

- Striking at octopus legs with large sword (sculpt only available in larger sizes?)

- Running with sword or strap in right hand, rice lunch-box in left (Sculpt only available in larger sizes?)

The guys with bull-whip and crossed-arms both look to be from more exotic Asian countries, Thai or Siamese maybe, while a lady from the Oriental Ceramics Society (OCS) informed me the alligator/crocodile fighter/carrier is a popular Japanese tourist piece? Conversely the man wrestling three octopus tentacles is clearly very Chinese!

Fish or Fishing Related

- Basket of Fish, throwing carp over shoulder [Zhang Shun]

- Giant 'Dragon' fish (or Catfish?)

- Large carp counter-balancing basket of fish over shoulder pole/yolk

- Giant carp in right hand, fishing rod in left (sculpt only available in larger sizes?)

Again as a grouping these represent a very popular Japanese trope, but fish are also associated with various characters from the myths and legends of the whole pan-Asia region.

The guy on the right has a different base to mine; squared-off and may be a Fontanini original from a larger set - all the figures with the more ornate pierced-plinths are to be taken as such.

Others

- Playing flute, long top-knot

- Two fans

- With a hood/pack on his back

- Wagging finger and stroking his beard

- With fan [Song Jan]

- Holding a bird and a pipe (Sculpt only available in larger sizes?)

A similar sculpt to the flute player but with a sword was issued as a pirate in the smaller, painted, PVC set by Fontanini.

The last two on the right might/could be from the 8 Immortals or the Lohan, but their 'signatures' aren't clear enough, one is known for having his fat belly on show, another for being learned, but he should be carrying a book, which would look more like a box to our eyes.

Female Sculpts - Vase holding variants

- Low vase - no crown

- Low vase - crown

- High vase - no crown

- High vase - with crown

Are those with finer detailing from Fontanini, the others copies? Note that with the right-hand pair the vase differs, as does the holding forearm, the first figure having no lid and a heavier forearm.

Others

- Crowned dancer

- Holding fan up

- Holding folding-fan down [Zhang Shi]

- Shallow baskets on yolk

Was the first one (Thai/Siamese?) issued as a pair with the crowned chap holding a sword? A variation exists of the second girl, with the whole figure bending/glancing the opposite ways to the figure above.

- With flowers [Jiu Tiun Xuan]

- Balls or parcels on a pole/yolk [Pan Qiao Yun]

- Playing small lyre

- Playing large lyre

- Bird resting on a pole over shoulder

- Tai/Siamese dancer with dragon

- Holding open-sieve or pearl-diving basket? (Sculpt only available in larger sizes)

- With fishing rod and fish on board (Sculpt only available in larger sizes)

- Bird on branch, stick in left hand, simple shift/dress (Sculpt only available in larger sizes)

- Playing harp (Sculpt only available in larger sizes?)

Was the fishing-rod lady paired with the similarly equipped male sculpt? The pearl-diver could be Polynesian - if that is what she is representing? When I first found the Harpist I thought it was one of Fontanini's Christmas/nativity angels, but she clearly has an Oriental hair-style.

In total - 34 poses, 37 sculpts (that I know of).

Premium Sets

This is the pose layout/pose count for the smaller premiums although some larger ones have been used to fill the gaps in Cristianu's original line-up and a couple have the wrong bases but right plinth (yellow dots). The green dots are figures with the better bases (arched-filigree edged hexagonal drums), the red dots are of poorer finish (beaded edges) like my two above.

Some issuers released these in three tranches of 6 figures which seems to explain the red dots; different source? They also seem the commoner poses - from what I can tell!

65mm 70mm (65/85mm)

Hegaxonal 'tablet' Plinths

Body - Cosmetics (UK)

Café Maurice - Coffee

Café Scarpia - Coffee

Lutin - Haberdashers

Mir 'Nylon' - Washing Powder

Pur Crem - Cheese

Oval 'basin' Plinths

Café Damoy - Coffee

Café Mokaden - Coffee

Grosjean - Cheese Spread

Unmarked (3 bars) - Unknown

Veuve Amiot - Sparkling Wines

No Plinth

Montblanc - Dairy Products

Cristianu's original larger set rearranged to fit the page for a screen-shot with alternate versions of the high-hold jar lady; again sometimes issued in two tranches of 6 poses.

90mm (80/100mm)

Crenellated Plinths

Cafes Maurice - Coffee

Lutin - Haberdashers

Rectangular or Wood-look Plinths

Axion - Washing Powder

Café Damoy - Coffee

Geigy Agchim - Agri-chemicals (UK: CIBA-Geigy)

Laden - Household/Domestic Appliances

Thé Lyons - Tea (UK; Lyons Tea?)

Valnoble - Wine

Oval 'basin' Plinths

Mir 'Nylon' - Washing Powder

Three of the products known so far have links to the UK, but with only one known to have issued in the UK (Body Cosmetics), yet the smaller figurines are quite common over here, and with a domestic appliance firm and agri-chemical company issuing them, it may turn out that someone like Hoover or Pifco may have given them away at some point? But - that's thinking out loud - not a fact!

(eight)

Additional-plinth types for the premiums and smaller Fonatini's; larger genuine Fontanini's come with more ornate plinths in several designs (some of which have found their way into the above screen-caps, they are also sometimes found on Carrara marble plinths

For the sake of completion, the actual names of the Eight Immortals (Pa Hsien - the Eight Fairies/Eight Genii), not to be confused with the Eight Immortals of the Wine Cup - a bunch of drunken poets! Wikipedia name first, should you wish to dig further - I'm about done on mythological Asian celebrities;

- He Xian'gu - Ho Hsien-ku (female)

- Cao Guojiu - Ts'ao Kuo-chiu - Ts'ao Ching-hsiu

- Li Tieguai - Li T'ieh-Kuai - T'ieh-Kuai Li (Li with the Iron Crutch) - Li Yüan - Mung Mu - Li Ning-yang

- Lan Caihe - Lan Ts'ai-ho (androgen/sex unknown, debateable)

- Lü Dongbin - Lü Tung-pin - Lü Yen - Shung-yang Tzu

- Han Xiangzi - Han Hsiang-tzu - Ch'ing-fu

- Zhang Guolao - Chang-kwo Lao

- Zhongli Quan - Chung-li Ch'üan - Chi Tao - Ho-ho Tzu - Wang-yang Tzu - Yün Fan (Han dynasty)

While a little on the Kinder names;

- Yang Zhi (Sizu - Water Margin character, Eastern Han Dynasty official or EmpressYang Zhi (259–292), Jin Dynasty (265–420))

- Zhang Shun (Water Margin character)

- Song Jan (?)

- Zhang Shi (Prince (died 320, ruler of the Former Liang state during the Sixteen Kingdoms period or Song Dynasty scholar (1133-1181))

- Jiu Tiun Xuan (?)

- Pan Qiao Yun (?)

Rack toys - Bazar figures (severn)

In the course of researching this post I also discovered that the Patron Saint of sodomy is called Chou Wang - I kid you not! It's apotheosised from the last Emperor of the Shang (surly 'shag' - ed.) dynasty who was a tyrannical deviant, with an even more deviant concubine! I love this - do you suppose gays know they have a Patron Saint? Or that he's a wang chewer! It's priceless; someone tell Donald, he might explode with rage and do the world a favour! Whoops! There goes my entry visa!

F is for Fontanini - Part 3 - Waterloo

Or at least the 'Napoleonics'. Hard to tell if this is a set of eight, or a set of ten poses, I suspect the giant ones are (or include) poses/pose variations not found in the line's smaller sizes? There is also a pair of mounted figures in the same line.

I've been asked not to add too much waffle to this post by another author who is preparing an article on them for Plastic Warrior - so after the verbiage of the last two posts I'll try to keep this text-light!

Looked at the other day in the fun post on size, they are really huge and weigh kilo's! I don't know how big they are but you can judge from the other figures in the shot that they are 800mm+. Neither pose seems to exist in the smaller sizes.

You don’t fly these back to the UK or the 'States unless you're wealthy (but then you'd need to be pretty well-off to buy them in the first place!), but you could drive them home - although they might need they own passports?!!

Their smaller brethren, these are the same size as the Rococo/Regency couple and pirate we looked at yesterday and have been given - in the case of the foot figures - the same washed-out, subdued hue, finish.

The same can't be said for the two mounted figures, who have been given a supremely attractive, even 'classy' finish, subdued palette again; but the subtly-weathered, solid colour gives them a real campaign feel, the horses too, are lovely.

Fontanini produced their mounted sculpts as pairs, primarily for the tourist trade with the result that when they dipped their foot in the 'Toy Soldier' market by scaling-down to 55/60mm, they ended-up with a lovely set of cowboys and Indians with lots of foot poses but only two mounted figures and one horse pose for each set of protagonists!

Another PW show-purchase, I think these have been repainted by the end-user, but it's a neat job in flat, matt colour and gives them the appearance of just stepping out of an old print. They seem to have been numbered in sequence, unlike the Rococo figures where my two are over a hundred apart - in a set of four!

The guy with the musket across his chest is a new pose from the previous image and missing from the eight are a dismounted Dragoon (French)/Life Guard (British) type, a [British?] Grenadier in busby and an [Austrian/Russian?] Grenadier in mitre-cap. Similar headress'ed figures of guidon-bearers and drummers appear in the larger Carrara sets

Hope that's brief enough P?

Back to Fonplast tomorrow.