I don't know where to look at the moment,
or what to shoot! I'm like a kid in a sweet shop, every box I open either has
old friends, things I'd forgotten, stuff that came in as I was packing up or
things which need to be combined with the stuff that's come-in since, this is a
combining lot.
The loose Marx Miniature Masterpiece stuff outgrew their box years ago and
looking for a line to draw I put all the WWII and medieval (? Me too?) in a new
box, although if that pairing wasn't bad enough I also put all the gun teams in
with them, despite the fact that the rest of the ACW (including the Limber
crews) stayed with the Wild West, jungle, Disney,
light brigade et al in the old box?
Anyway the old box ended-up here, so we've
had dips in it for Disney oddities
and Wild West Ri-Toy comparisons in
the last few years, but in cross-loading the ones for the other box I shot
these.
The Japanese - we have looked at them
against the Rado ones I think, but
here are my four main colour variations, the darkest ones (top row) are as
common as the others, but seem to be confined to eight poses (I forgot to shoot
one - the clubbing guy), so it may be that part of the tool was blanked-off for
a specific order, maybe the smaller window boxes? The other three; yellower,
paler and greyer have all the poses.
These are all soft polyethylene and the
green, red and white paint on the bottom row is 'previous owner-applied'.
Close-up to show the colour variation more
clearly; and also the variation in paint between batches/orders/contracts.
On the left are the two types of base
marking found with these figures, some having the larger Marx stamp, others a smaller stamp and balancing 'blank' - as per
the cake-decorating figures the other day - believed to be mould-release pin
marks.
On the right are my entire collection of
hard polystyrene plastic Japanese! It's funny, with the GI's I have a large bag
of hard plastic, a much smaller bag of soft plastic and only one unpainted
figure from the late window boxes, yet with the Japanese it seems to be the
complete opposite?
I don't think there is any significance to
that; like the Tinykins/Disneykins
these were much marketed in various configurations and set types/sizes, and the
vagaries of Marx's global production will mean different territories got
different stock when it was ready/they needed it and from whichever factory was
slated to have the tools at that time, in whatever material they were running!
However . . . it's annoying, because the US
got lots of the hard plastic batch for the various sizes of their Iwo Jima boxed sets, and they have extra
poses; second tool! Mine are all damaged, the additional poses are on the top
row but I don't know how many of them there are to find, for the longest time I
thought I was only looking for a third officer (drawing his sword), then these
three turned-up!
When the Japanese went home the vacuum left
while the various colonies waited for their French and Dutch [&etc.], administrations
to return was filled by a strange temporary administration made of the odd
British colonial who was kicking about, US military personnel, trusted members
of the out-going Japanese forces and any resistance fighters or local 'figures of
standing', along with anyone else who thought they could administer (and
possibly some fledgling UN personnel?).
Anyway - it was all very much a mess of an
ad-hoc, buggers-muddle and the locals got used to a bit of autonomy, so when
the French or Dutch, Portuguese or even the Brit's returned they found they
were no longer welcome in someone else's country - not that they ever really
had been, just that the 'Go homes' were
louder and more forthright!
I know I've plugged them before here and
elsewhere on the Wibbly Wobbly Way, but anyone who wants a concise account of
France's loss of 'Indo-China' would be well advised to read Bernard Fall's Street Without Joy (incidecently, mentioned in
the Long Grey Line I think (or Chikenhawk) as being read by US junior
officers in Vietnam a few years later, trying to make sense of their own
Kafkaesque situation), while his Hell in
a Very Small Place is a day-by-day, blow-by-blow, almost (and at times)
shell-by-shell account of the final unnecessary sacrifice at Dein Bien Phu
,
in part from the mouths of the survivors - on both sides - who he managed to
track down years later.
Marx - as we saw briefly the other day - visited the conflict, in the
height of the conflict, the Daily
Mail said nothing!
The top row is all marked 'Made In Hong
Kong' the lower rows are 'Made In Taiwan' and Taiwanese colour variations, the
Taiwan sourced figures seem commoner over here, but I wouldn't say I have large
samples of either. The schemes are the same from batch to batch but there is
variation with red/orange, various shades and hues of blues and a move through
brown to grey.
They go very well with the slightly-smaller
scaled Japanese celluloid tourist keepsakes I've been collecting as well as
those Villagers we looked at - and
here we see three Viet Cong running past a wagon while elsewhere one of their
comrades directs local peasants away to safety while the Ride of the Valkeries echo's over their 'Ville' mingling with the Chop-Chop
of the Hughes Aircraft Corporation!
The Hong Kong marking is to the left of
each pair, the Taiwan to the right; they should be readable if you click on the
image. The Taiwan cartouche has a slight step or shoulder round the outer ring,
suggesting they are the later version, with a slight re-tooling to allow for
different stamps which probably doubled-up in service as release-pins, being interchangeable
rods running through the tool-block.