We'll start with the girls as for many
years I wondered if these were Thai or Indonesian, Burmese or from somewhere
further afield (Malaysia?), but one of the deciders for my current thinking - India
- was the pair on the left with their distinctive tea-baskets - as anyone who
did geography in the 1970's will recognise! But Malaysia is very much in the
frame still, especially the checked-sarong guy!
The gent's too seem to place us in India,
as while you find tea-pickers in similar dress in Sri Lanka and Muslims in
fezzes elsewhere, to find all the costumes in these sets in one place I think you'd
need to be in India; the coloured plastic pair are Buddhist devotees, the guy
on the left might be representing an educated Anglo-Indian, or someone from the
ruling/political class?
The other two I don't know off-hand, but
they seem to be more ceremonial or area-specific in their ethnicity/cultural-dress?
The above two groups are all flats, around the 60mm area and with 'penny-bases'
Here we have two drummers; one with a
matching penny-base but ribbon-twisted to give a level of dimensionality to
him, while the other is again a full flat, but with a different base. Both have
had drums added with a blob of glue.
This group are from the second bag (along
with the 2nd drummer) and there are three more of the square bases and two
tatty snake-charmers. I used to wonder if they were from a different set/maker,
but I think they are all from the same source and are now kept in separate bags
because they won't fit in one, but there aren't enough to move to the
tub-stage!
Again, arguing for a different source you
might associate the first figure on the left with Burma/Myanmar or
Thailand/Siam, but the figure on the other end of the row looks like a
sun-roasted, unshaved 'Sahdu', and the only place where you get all these
together (with Cobra charmers!) is India . . . or Malaysia? The final figure is a villager with hoe.
The hoe is painted onto the base, while the
'Sadhu' has an axe glued to his shoulder.
It looks like he's killed the poor lizard,
so not a Sadu at all! I don't know if he is planning on eating it or indulging
in some ceremony with it? Sadhus are supposed to be vegetarian aren't they?
Maybe he's a denizen of the jungles or forests of the great wildlife parks or
the river-delta's of the North-East and not a Sadu? If the figures came from Malaya,
he might be an Iban tracker from the jungles of Sarawak?
I need to do a bit of a mend on this chap,
who should be carrying the pole with the two baskets suspended on the
cotton-treads but suffered a breakage where the glue was originally placed, he
too; has the ribbon-twist to suggest a greater level of 3D!
These two - who came in separate purchases (but one of them with some of the above),
are slightly different, with heavier bases, one tapered upwards and the other
downwards with a prominent rim. These are the figures which raise Malaysia to
the heady heights of SCW's tag-list, although they tend to wear a lower black hat?
As they seem to be copy-versions of the
chap in the second image from the top (fez, checked sarong, umbrella) there is
a tendency to think they are from another source, but as they are the only ones
to turn-up, both in the same pose, and given the two drummers and the similarity
between several of the women I suspect they're from the same extended set, but
keep them both in a separate, third bag, just to be safe!
2 comments:
The ethnic dresses and the drummer with the two sided drum clearly point toward the traditions and culture of Sri Lanka. Just my two cents.
I hear you annon, it's the checked sarong which is pointing further East, what we need is a non-toy browser to come along and say 'oh, I bought some of these in Colombo, Delhi or KL'!!
H
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