We arrive at my efforts! It took me a while to get round to doing a bookplate for myself, although there were half-hearted attempts at them when I was a teenager, those efforts are somewhere in the storage unit!
Here I've copied some stuff, a woman, and some graphics from Mecanorma and/or Lettraset catalogues, which I've enlarged, in order to better trace those elements I wanted to use/transfer to the draft design.
Now, I can't for the life of me remember how I arrived at these coloured copies of the lady, or where she came from? At that time I had no copier, no computer . . . and the corner shop's photocopier might have had an enlarge feature, but I don't remember it being a colour machine, nor do the Lettraset and Mecanorma (French equivalent of Lettraset) catalogues have any colour artwork, as far as I can remember?
These sketches will date from around 1997/8, and I just don't know how I had the ability to produce these working scraps, but clearly I did! And having done so, got to work on them . . .
. . . first by reversing the image, and again; how? No feature like that on a photocopier? No computer until 2007? How can one totally forget a whole process? I normally have a very good memory (it's one of the features of Asperger's), but this is all a blank!
Anyway, you can see how I was going to join the two girls hair together to make the outer frame of the design, while on the right I'm using tracing-paper to lift some of the dry-transfer elements and try to bring them together in a more unified structure, I've drawn some new hair in, having traced her without her hair.
But again adding to the mystery, the two girls in the left-hand image have had all their lines go A) very broad and sausage-like, and B) there's a negative, white-space, thing going-on where the lines cross . . . I do have a vague memory of that being a negative-feature of the enlarging process, maybe I had help producing the preliminary materials from the studio guys at the sign fitting company I was working at.
They had Adobe, I think, matched with CorelDraw? Probably running on Windows 95? If she's a rights-free piece of clip-art, it would have been easy for Jason or Matt to enlarge, reverse one, and print them off for me?
However, I seem to have lost interest in a naked, fantasy princess bookplate, quite quickly and moved on to something more oriental, again using tracing to take images from a rights-free, images portfolio, which I'd bought from the previously mentioned Thomas Thorpe's in Guildford, many years earlier while at art collage!
And yes, that's a typo, but it took me until I was today-year's-old to realise it is Mecanorma, not Mecanorama . . . classic word-blindness! Googling Mikado as a typeface leads to a kids-friendly 'chunky' design and a couple of bog-standard and rather boring sans-serif types, which wouldn't have interested me then or now.
But, I did find a seller on Etsy who has a few sheets of the Mecanorma original for sale, and you can see that the note (on the back of the design - you can just see it through the paper) was pointing to a nice oriental typeface for which to produce the 'Ex Libris' and/or any name.
Meanwhile, this design had also been taken to, if not a near finished stage, at least a stage where you could see what the final design would look like? It may even have come before the one above - it has a certain air of abandonment about it?
I guess I would have been looking for a bamboo effect letter type? And no; I have no idea what happened or was due to happen on the 22nd, nor indeed, which month, but again, 1997 is a safe bet, or 1998!
I may return to these and get them finished as commercial prospects in a year or two, these days there's plenty of places like evilBay and Etsy to shift this kind of bespoke stuff, and production costs have come right down with home-computing, desktop publishing and the like, and I think there's a ream of licky-sticky paper in my stuff somewhere, but it may be a solid brick by now!
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